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Contributions from abroad
Alopecia and Reflection: The Wig as an Embodied Form of Existence
Un contributo che esplora l’esperienza dell’alopecia femminile come fenomeno esistenziale, analizzando il corpo vissuto tra vulnerabilità biologica e pressione sociale,…
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Contributions from abroad
Between Matter and Dream: Sculpture as Truth
Sembrava una forma scolpita nella luce,ma era la vita, che non avevamo saputo vedere. “Precious is sleep, better to be…
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Contributions from abroad
The duality of the subject’s corporal identity in theater art: the embodiment of the actor as Being and as potential Being (pt. II)
Albert Camus in his work “The Myth of Sisyphus” (Le Mythe de Sisyphe) points out that the theatrical symphony is…
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Contributions from abroad
The duality of the subject’s corporal identity in theater art: the embodiment of the actor as Being and as potential Being.
From the beginnings of human societies the question “Was ist der Mensch“, founded centuries later in Kant’s philosophy, has motivated…
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Contributions from abroad
Human existence as a revelation of the invisible and the stake of beauty (Inspired by Oscar Wilde’s play “The Picture of Dorian Gray”) – Part II
The Role of the Portrait: Mirror, Revelation, and Artistic Risk The portrait is a visible symbol of all the modalities…
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Contributions from abroad
Human existence as a revelation of the invisible and the stake of beauty (Inspired by Oscar Wilde’s play “The Picture of Dorian Gray”) – Part I
Beauty is a form of Genius. […] It has divine right of sovereignty1 These words of Oscar Wilde through the…
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Contributions from abroad
The embodiment of inspiration as metamorfosis (in the work of Franz Kafka). Part 2
La seconda parte di un interessante contributo alla fenomenologia della corporeità, attraverso le opere di Franz Kafka, a cura di…
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Filosofia
The embodiment of inspiration as metamorfosis
Un contributo alla fenomenologia della corporeità, attraverso le opere di Franz Kafka, a cura di Thomae Ragia
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Filosofia
Dance: The Rhythm of Embodied Openness as transcending temporal finitude
“I would only believe in a God that knows how to dance,”[1] wrote Nietzsche in his work “Thus spoke Zarathustra”,meaning the god…
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Contributions from abroad
Dreams: the depiction of invisibility
Dreams: the depiction of invisibility. A perspective on body, thoughts and temporality.
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